Type a message and get a whole song back. Each sentence becomes a TextyBeat groove, and Magic Blocks builds a bass line, a melody and a song structure around them. How you type it decides how hinged or unhinged it gets.
No AI: your words are never read for meaning, only for how they're typed. See how ↓
TextyBeat and TextySong take whatever you type and turn it into something good to listen to. A bad day, a rant or a text you shouldn't send becomes a song you can play. Good news gets a soundtrack.
There's no AI here, so RockBlocks can't tell what your message means. It listens to how it's typed instead. Messages typed in a hurry, with ALL CAPS, a pile of !?! and stretched-out letters, usually come out unhinged. Calm ones usually come out hinged. Either way you get a real song: drums from your sentences, a bass line from the drums, and a melody from music theory.
Your words' rhythm is the hook. The melody borrows the rhythm of your most distinctive sentence's drum beat, and in some songs the bass takes it over while the drums pull back. Every section then plays it a different way, so it stays fresh the way a pop hook does.
TextySong and Magic Blocks don't use an AI model and weren'ttrained on anyone's music. Every song is built with the same tools you use on the rest of RockBlocks, one layer on top of the last.
The drums are the foundation
Everything starts with the beat. On the hinged end it's a groove written by hand for each style: rock, pop, funk, hip-hop, dance, shuffle. Turn the dial up and the grooves get rolled from rules instead, but they always stay something one drummer could actually play.
The bass line comes from the drums
The bass listens to the kick drum. Every kick gets a bass note, and the snare is its second anchor. The more unhinged the dial, the more the bass adds: passing notes between hits, walks up to the next beat, runs at the end of a bar. Every note is kept in the song's scale.
One hook runs through the song
Every song gets its own hook: one short tune built the way songwriters build them. It has a few notes, a rhythm with a kick to it, mostly steps with one leap, and an ending that asks a question the next phrase answers. The chorus sings it plainly. The verse keeps its rhythm under new notes, the pre-chorus climbs it, the bridge turns it upside down and the intro slows it down. It's written in steps of the scale, so it follows every key change, and where it meets a new chord it bends a step to fit. However unhinged the song gets, you can still hum it afterwards.
One part gets the spotlight
The chords come from music theory: each one is built from the scale on the bass note underneath it. Then one part, the drums, the bass or the melody, gets the spotlight: busy drums with sixteenth notes and ghost notes, a bass line that runs and sings, or a melody that decorates the hook. The other parts keep it simple and leave it room, so no two songs are crowded in the same way. Turn the dial up and the spotlight moves from section to section.
The surprises come from dice rolls inside those rules, not from a model guessing what music sounds like. That means every note can be explained, and every note can be changed: open the song in the editor and Stacks, or learn the same rules in BlockTheory.